Thursday
Sep082011

Tom Cruise is not eligible to go to Mars

This was one of the decisions made in Room 11 at Wellington's Lyall Bay Primary School when they recently studied Bronwyn Holloway-Smith's Pioneer City, and did their own assignments on projecting urban life on Mars.

Here are some of the amazing results as documented on Bronwyn's website: http://bronwyn.co.nz/2011/09/08/pioneer-city-at-room-11/

You can also find out who else is out - and in - for life on Mars.

Wednesday
Aug032011

Dragons and Turtles

We've got that after-event fizz following the Urban Dream Brokerage on Friday night.  It must be the sign of a timely event that when you look back it appears like a no-brainer of an idea. Artists, suggest your ideas to the property sector.  Property owners, come up with creative ideas for the city. With Wellington City Council keen to get the engagement around the City’s 2040 strategy we were ready to go.   

It’s 18 months since we launched our first series and this website and during this time we’ve held two ‘Urban Dream Brokerages’ (not to mention the matter of seven public art projects). The huge difference between the first and the second was the level of intrigue and interest from the property sector in attending the event. Whether it’s because 15 months’ more recession has created an appetite for alternative uses of commercial space or whether Letting Space has got more traction over this time we’re not sure but the deals were much closer to being secured this time around. 

About 200 attended our ‘Dragons Den’ on Friday night. Councillor Ray Ahipene Mercer gave a generous mihi and we passed over to MC Mark Westerby who with groups like Cuba Creative and theatre shows like Apollo 13: Mission Control is constantly thinking outside the square as a creative producer. Here he is with our 'hooter'.

 

First up were four selected artist pitchers (bios on the artists can be found in our last blog). Tim Barlow’s Fearless Speech Lane reinvents speaker corner as a place for curated free expression complete with political food stalls, a take on Dalai Llamas famed gardens and a digital lounge below the State Opera House. 

Bruce Mahlaski and Bev Hong envisage a time when land will be exchanged for goods, recalling the reverse when The Wellington Company sailed into town and gave goods to Maori in exchange for their land. It's an idea that brings Wellington’s past, present and future into a vacant commercial space. 

James R Ford appeared dressed in a Ninja Turtle Costume (Donatello to be precise) with a proposition to express the Higgs Boson particle through the placement of 16 turtles (representing the 16 elements of the particle) on turf in a glass fronted Wellington shop space. 

Finally Shona Jaunas on violin and Natalia Mann on harp looked to the beneficial laws of France, which allow artists to take over vacant spaces and not be evicted over winter as an introduction to their concept for artists to capture and create sound and visual projections that are brought together as a harmonious whole in a vacant shopfront. Jaunas and Mann won the popular vote from the audience for most promising on the night, taking away a koha kitty of $189.

Next up were our property visionaries, who had provided questions and feedback to our artist pitchers, ranging from enthusiasm to almost disbelief.

 

Mark Westerby then unveiled our artists panel- Heather Galbraith, Eve Armstrong and Rob McLeod - who would help turn the tables on our property critics.

Chris Gollins of Colliers (who has just brokered the deal on the “sale of the Century Hotel” ) got a lot of respect (and the award for catchiest title) for his pitch ‘Tour de Foyers,’ suggesting a scheme property owners work harder on the art in the building’s foyers, and not just pretty pictures. Liz Mellish came with a bundle of thoughts: the first the very real put out to artists to contribute to the revitalization of the space that holds remnants of the original Te Aro Pa in Taranaki Street, the second the revisiting of graffiti as an artistic expression in the City and the third, the revitalisation of dendroglyphs or tree-carving.  David McGuiness from Willis & Bond pitched a tremendously polarising plan for auctioning art and allowing passers-by to ‘text a bid’ much as we can ‘text a park’ in the city at present.

Once we announced the audience vote for the winning artistic pitch (Shona and Natalia’s music work had captured most hearts), the after match party was held over the road at the empty Lara Parker store in Cuba St (managed by Cook Strait Holdings). We's sorry we could only invite a very small number of people due to its tiny size, and focussed on bringing together the pitching artists, council peeps and property owners. Matilda Fraser, the very able Massey art student who has been interning with us, used the opportunity to bring fellow students’ works into the shop for the night, and weekend. Thanks to Tilly we ended up in this way sneaking in another art project before we turned out the lights

We’re rapt that the concept of creative and artistic uses of space is really gaining traction in Wellington. How we formalise the process so that more artists and property owners can take advantage of this is yet to be established but we’re working on it. Watch this empty space.

This Saturday we’re presenting at Te Tuhi in Auckland as part of Resonating Spaces at 2pm, a forum looking at the interaction between art and urban renewal. It’ll be a chance to download. Love to see our Auckland friends there.

Wednesday
Jul272011

Six artists facing the future on Friday

Here's information on the artists pitching their visions to the public at the Wellington Town Hall, Friday night (29 July), 6pm as part of The Urban Dream Brokerage.
The artists selected to pitch are Tim Barlow, James R Ford, Shona Jaunas with Natalia Mann, and Bruce Mahalshi with Bev Hong.

The first pitcher Tim Barlow is a Wellington artist with an MFA from Massey University Wellington 2011. He has extensive experience nationally and internationally in film and television art departments, and specialises in crossing the barriers of film production and art production.

James R Ford is a conceptual artist whose practice explores notions of repetition, pathos and the everyday. Ford has a very British sense of humour and revels in word play and language puns, delving into the activities and influences of his childhood. Ford studied at Goldsmiths in London, and has exhibited internationally.
Natalia Mann is a musician and composer. She holds a BMusPerf from the Victorian College of the Arts in Melbourne, and in recent years has worked with Richard Nunns, Bic Runga, Gareth Farr, the NZSO, and this year will be working on a collaborative solo harp dance collaboration with Black Grace dance company.

Mann is pitching with Shona Jaunas, who studied music and commerce at Victoria University and acting at the Drama Studio London.  She was a founding partner of Strung Out Quartet and has collaborated with many artists. She toured internationally with acclaimed theatre company American Drama Group Europe and has played Ronnie Scott’s Jazz Bar in London.

Bruce Mahalski is a multi-media conceptual artist who has exhibited in galleries all over New Zealand since 1997. He is also a published author and commercial illustrator. Bruce has a particular passion for natural and local history and often combines aspects of these interests with both his commercial and his contemporary art practice.

Bev is of second generation New Zealand born Chinese heritage.  She is a social issues researcher who has worked primarily with the public sector over the past 20 years.  More recently, she has developed a visual contemporary art focus and has a specific interest in exploring the areas of sustainability, globalisation, visible difference and identity.

The Urban Dream brokerage is sponsored by Wellington City Council as part of the council’s public engagement period for the Toward 2040: A Smart Green Wellington. Toward 2040 details what Wellington City Council think Wellington needs to do as a city to make sure it continues to thrive in a rapidly changing local and global environment.
Wednesday
Jun222011

Call to artists for pitches


Do you have creative ideas for vacant commercial space? How could such a space - be it an apartment block, the floor of an office building, empty land or a retail space - be more creatively utilised to provide a more vital inner-city?  

Here’s a chance for artists to have their say. Letting Space is calling for submissions from artists for their second Urban Dream Brokerage, funded by Wellington City Council as part of their Toward 2040: Smart Green Wellington strategy. Send us a summary of your idea and we’ll choose three of the best to be presented in a live pitching session in Wellington on Friday 29 July. Inspired by the format of reality television's Dragons Den artists pitch to property owners and developers, but then, in a twist, property owners pitch to a panel of artists.

Pitches are required by Friday 15 July. Your written pitch should be snappy (under 200 words). It may relate to a specific site in the city, or be an idea for the city in the future. It may suggest new models of exchange or propose alternative systems of value. Drawings and images are welcomed. Please submit to sophiejerramandmarkamery@gmail.com 

We welcome pitches from artists from outside Wellington (if you are selected you will need to make your own way to Wellington for the event). We are also happy to receive proposals from artists who have pitched previously.

The Brokerage is part of Letting Space, a major art and property project featuring a series of art projects and discussions. While our current project, on until July 10 - Pioneer-city.com by Bronwyn Holloway-Smith (www.lettingspace.org.nz/bronwyn-holloway-smith) - was originally pitched as part of Urban Dream Brokerage last year we are currently not in a position to commission new projects. This is primarily a forum to offer alternative ideas for the city's future, which may or may not be realised but will generate new thinking.  

At the last UDB in May 2010 we had to turn people away as a packed house at City Gallery watched dragons become petitioners, and property managers and artists alike impress the crowd with visions of art inside elevators and boatsheds, a new age therapy stronghold and gargantuan lightshows. 

Letting Space and Wellington City Council share an interest in how artists can contribute to creating a more dynamic future city, and we ask all potential pitchers to consider the Toward 2040 strategy as part of their thinking (see link below). Toward 2040 details what WCC think Wellington needs to do as a city to make sure it continues to thrive in a rapidly changing local and global environment.  

We can’t promise you’ll get to realise your dreams, but we’d like to reveal to the city the best creative ideas for the use of unemployed spaces. 

Some Handy Links

All enquiries welcomed to sophiejerramandmarkamery@gmail.com

Image above: from Kim Paton pitch, Urban Dream Brokerage 2010

Sunday
Jun122011

Introducing a NZ agent for the outer territories...

Thursday
Jun022011

Soho accommodates Mars showroom

Now opening June 18 - July 10th at 80 Taranaki St (Ground Floor, Soho Apartments)

Saturday and Sunday, 10-2pm

Between The Film Archive and STARZ convenience store

 

Tuesday
May102011

Mars Beckons

Tired of life on this unstable planet? A world-first showroom on Taranaki St, Wellington New Zealand offers the opportunity for members of the public to consider being pioneers in the future colonisation of the Utopia Plains of Mars.

The showroom at 80 Taranaki St, on the Ground Floor of Soho Apartments, will be opened from Saturday 18 June to Sunday 10 July during weekends, or by appointment.

This latest showing from public art programme Letting Space, comes from Wellington artist Bronwyn Holloway-Smith.  Holloway-Smith is creating the showroom and website promoting a property development on Mars.  Pioneer-City.com gives New Zealanders an opportunity to contribute to the development of a new colony on the red planet.

“With NASA scientists aiming for a human mission to Mars in the next 20 years, and private innovators also paving the way, a Martian colony is not a question of 'if' but 'when'”, says Holloway-Smith.

“At a time when the Wellington City Council is developing a 30-year vision for Wellington,” Letting Space curators Mark Amery and Sophie Jerram add, “this project also implicitly asks the public who controls our visions of the future and what kind of future we want for ourselves and our cities.”

Over the past decade New Zealand cities have been marked by an increase in residential property development. Unbuilt apartments continue to be heavily promoted, often sold from real estate showrooms using architect models and sketches.

“I see a comparison between modern real estate and the way the New Zealand Company sold a romanticised picture of New Zealand to prospective settlers, site unseen”, says Holloway-Smith. “Pioneer-City.com adopts real estate languages to explore the way that Mars might be sold to prospective investors.”, 

The website will feature an expression of interest process that invites people to contribute towards shaping the ideal future city.

Staffed by a real estate agent, Pioneer-City.com will launch in an empty retail space in Wellington mid-June. A billboard advertising the Pioneer City property development is currently installed as the Ghuznee St Art Billboard, at 56A Ghuznee St, Wellington with funding support from Wellington City Council.

See http://Pioneer-City.com and http://lettingspace.org.nz/bronwyn-holloway-smith for more information.

Bronwyn Holloway-Smith (http://www.bronwyn.co.nz) is an award-winning Wellington-based contemporary artist working in a diverse and interdisciplinary manner. Her work often engages with new technologies and the futuristic ideals and challenges that these technologies may bring. She has shown at significant national galleries, and has works represented in several major public and private art collections. She holds a Bachelor of Fine Arts from Massey University. 

Letting Space seeks to transform the relationship between artists, property developers and their city. It commissions temporary art works from leading New Zealand contemporary artists for commercial CBD spaces, exploring creative ideas for urban renewal and growth. The programme has been responsible for five public art projects in Wellington over the last year, including Kim Paton’s Free Store, in which Paton set up an independent grocery store giving away food for free to explore systems of food distribution, and Tao Wells’ The Beneficiary’s Office, in which Wells’ set up a PR company to promote the benefits of unemployment. Both caused significant national media interest and debate. In March Letting Space staged a work as part of the Auckland Arts Festival, Shopfront by The Suburban Floral Association.

The Letting Space programme is funded by Creative New Zealand. Bronwyn Holloway-Smith’s Pioneer-City.com has also been supported by Wellington’s Emerging Artists Trust and Wellington City Council.